Such pejorative deformities of sound
Without meaningful speech or musical equipoise,
Annoyances none but hoi polloi

enjoys,
Through our winding whispering galleries resound
Unwelcome, & like a tedious siege surround
Us with that ubiquitous nuisance, noise,
Which may take the shape of inflated reputation,
Able neither to stun, astonish nor astound
Those whom obscene publicity annoys,
Who prefer the decent obscurity of publication.

&

Regardless of the weird world’s disregard,
These works may be devoted to the wastebasket
Like the forgotten forgeries of some casket
Letters, scored for posterity & scarred
By repentance. Sentenced to a futility of hard
Leisure, answer nothing but the task it
Asks, apart from any eternal return.
Perhaps a masterpiece, unmade, unmarred,
Awaits the patient skill that will unmask it.
A lifetime passes as the phrases turn.

&

Immured in a single-occupancy cell,
Each day indistinguishable from the next,
& nearly inextinguishable, perplexed
How all manner of things shall nevertheless be well,
Will a celibate selfish as a shellfish spell
Out a corrupt & uncorrected text
So that each deleted syllable counts?
Solitude is helpless to dispel
Questions as exceptionably vexed
As unaccountable love’s unaudited accounts.

&

To keep your cell the way you keep your soul,
Untidy-minded, neither soiled nor sold
For next to nothing, a treasury of old
Notions like the notes of a piano-roll
Which cannot improvise though it knows a whole
Repertoire, what ought one to withhold?
Idiosyncrasy is nobody else’s business.
Of all omens the soul provides the sole
Depository. How many oceans can it hold
In its infinite & unfathomable isness?

&

Sealed & secured, the contents of this room
Turned our intimate alcove into a closet
Concealed behind a dirty bookcase: was it
A conservatory or a living room,
This stanza become a catacomb or tomb
That serves as a temporary safe deposit
Vault for your perduring lost & found
Mind, which articulately could presume
To ask of being what could cause it,
A question as unanswerable as profound.

&

Up the steps of imperfection we stumble & stall,
Blind upstarts, our feeble feet astray & unstable,
Panting after perfections we are no more able
To encompass than an imaginative animal.
While some describe the world as round as a ball,
Others maintain that it is flat like a table.
Its shape is immaterial, there like the air.
Better, perhaps, to be sorry than safe after all,
Seeing no security could enable
One to scale unscathed the inexorable stair.

Originally in Poetry

(December 2009).