Ernest Hilbert with Jill Alexander Essbaum at West Chester Poets House

by on 23/03/10 at 9:15 am

Print Friendly

West Chester Poets House Presents Ernest Hilbert with Jill Alexander Essbaum
Wednesday, March 24th
823 S. High Street

Poets House, West Chester University
West Chester, PA 19383
610-436-3235
poetry@wcupa.edu
FREE

“Few poets’ roots go deeper than the Romantics; Jill Alexander Essbaum’s reach all the way to the Elizabethans. In her Harlot one hears Herbert and Wyatt and Donne, their parallax view of religion as sex and sex as religion, their delight in sin, their smirking penitence, their penchant for the conceit, their riddles and fables, their fondling and squeezing of language. But this ‘postulant in the Church of the Kiss’ is a twenty-first century woman, a ‘strange woman’ less bowed to confession than hell-bent on fairly bragging of threesomes and more complications than were wet-dreamt of in Mr. W. H.’s philosophy.” – H. L. Hix


“Eulogy” by Jill Alexander Essbaum

She was slattern and ash.
Hoarfrost on thorn.
Vinegar and hyssop.
A hiccough. A fuck-up.
No matter. No factly .
She was a casual exactly,
Habitually plastered.
And every havoc that had her
Disastered her.

She was a cat on a trash
Heap. A baby and a trembler.
In transit or in trouble,
Ever one or the other.
She was the warning
Your mother tried to woman you
About. The dementia
You presented with.
The misfortune you’ve resented,

Since. She was ankle iron,
Ironing board. Bored and forlorn,
She was horny, sore, and cheap.
She dreamed of doors and ceilings.
A creamy, skin-deep bything.
She was a mouthful of dirty
Words, pretty as pain.
was the staple
On a centerfolded page.

She was a swiftlet nesting
In a stew. What she did to you,
You let her do. Like the variegated
Musk of ambergris, she lingered.
Her particular taste
On your tongue and your finger.
She was linen white. And
Rubbish red. And maidenhead.
And fantastic in bed.

But now she’s dead.

First appearance in No Tell Motel

***

“Hilbert is one of our best rhymers since Robert Frost, and his poems have been compared by superb poets to those of John Berryman and Robert Lowell. We haven’t had a poetry like his—both seriously tough-minded and wryly self-chiding—to enjoy and mull over for a long time.” – Alice Quinn, Executive Director of the Poetry Society of America

“An Aging Drunk Observes the Blizzard” by Ernest Hilbert



Inspired by The Drama of the Scharnhorst by Fritz-Otto Busch, 1956

I am lonely, of course, hung-over, pale, and fat.
Hairs wash out, slither down, thatch up the shower drain.
My teeth hurt. I dream they clatter like ice chips in
The bloody bowl of the white sink, and that
My smile bares purple sockets. I note a stain
On my gray shirt. Patches flake from my skin.
The hardened pinesap cold of Christmas saddens me.
Like vinegar, Easter’s angles of gold light sour.
Outnumbered, pursued, slowing, falling prey to sleep—
I nod into nightmares of a battleship in the North Sea,
Smoking, lost, blind in razoring rain, and losing power,
In desperate flight from twilit storms and destroyers’ sweep,
Hunted, hurt, steaming fast for Norway with torn bow,
Still deadly with guns bent in the screaming snow.

Ernie

Ernest Hilbert is founder of E-Verse Radio.

Website - Twitter - Facebook - More Posts

3 Responses to “Ernest Hilbert with Jill Alexander Essbaum at West Chester Poets House”

  1. The Divagator

    Mar 23rd, 2010

    With that first sentence, I thought it was talking about the ’80s pop band…glad I kept reading.

    [Reply]

  2. Ernie

    Mar 24th, 2010

    A reader writes in: Loved the poem “Aging Drunk”—damn fine, but can you tell me if there is a specific reference in this line… I didn’t see how it fit in—is it a Christ reference, birth—Christmas, Easter–rebirth? “Like vinegar, Easter’s angles of gold light sour.”

    I replied:

    Vinegar is something we associate with Easter in two ways. Christ is given a sponge soaked with vinegar when he asks for water while on the cross. Also, it is used for dyeing eggs, so the smell of vinegar fills the Christian house at Easter. Vinegar here represents the bitter side of resurrection (one must first die, after all). It contrasts with the smell of pinesap (a pleasant smell, one that conjures the Teutonic pagan aspects of Christmas) in the preceding line.

    So memories of childhood Christmas harden, like the sap that once flowed in youth, and the gold angles of light, what one would see through the stained glass windows at Easter mass, sours, like vinegar, because for the speaker of the poem they no longer hold the hope of rebirth.

    [Reply]

  3. Piper Hartsoe

    Feb 1st, 2011

    Guy, speak about a wonderful publish! I?ve stumbled across your weblog a few times within the previous, but I normally forgot to bookmark it. But not again! Thanks for posting the way you do, I genuinely appreciate seeing a person who truly has a viewpoint and isn?t genuinely just bringing back up crap like nearly all other writers these days. Keep it up!

    [Reply]

Leave a Reply